International Harmony
Based Upon a Music
of Planetary Grid Systems

This essay correlates the earth grid systems with specific musical notes, thus enabling one to find harmonic relationships related to distances between cities or countries. A chart of miles and corresponding musical notes is included so that one can determine the musically harmonic intervals.
First being published in the United States Psychotronics Association 1985 Annual Conference Proceedings, Reprinted in Anti-Gravity and the World Grid, by David Hatcher Childress.

This paper will propose a method of correlating Earth Grid 

systems with specific musical notes, by a process of translating 

length to frequencies which can then be translated to musical 

notes.



A method of octave expansion and octave reduction was used to 

determine the specific frequency of a note.



When this theory is applied to the relationships of countries to 

sounds, a way of increasing harmony between countries can be 

suggested by knowing a key note of the distance between them.



A correspondence with Pythagorean Lambdoma of seven rays is 

suggested.



In September of 1983 1 received a letter from Governors State 

University in Illinois requesting submission of information or 

research on a project called THE PLANETARY GRID SYSTEM.  I wrote 

back a note saying that perhaps I could help by identifying the 

musical interval of the modular grid system if there is a module 

that has been determined in length.  Then, a year later in 

December, 1984, Bethe Hagens and William Becker sent a copy of 

the magazine "Pursuit" (1) which featured their research.  And in 

this article the distances in miles of the grid system they 

devised was given, so that I could get to work to determine 

certain musical relationships.  I sent a letter detailing these 

relationships.  After receiving my letter Bethe Hagens 

replied:



"Thank you so much for your letter.  I wanted you to know that 

we had received it.  I am kind of stunned by what you have found 

in the grid - and your political interpretations.  It's one of 

the most fascinating responses we've ever received.  I don't 

know that I told you, but I am a professional violinist when I 

am not being an anthropologist.  Your work in harmonics begins 

to get at something I have felt intuitively must exist but had 

no way to express.



"...I have not had the time to sit with your letter and really 

absorb it.  I will write again once I have something intelligent 

to say.  Again, thanks so much for writing."



The Becker-Hagens report presented a theory of the growing 

structure of the earth, from the tetrahedron, octahedron, cube, 

icosahedron, and dodecahedron.  These are the Platonic solids 

attributed to Pythagoras (500 B.C.). The dodecahedron and 

icosahedron together, Becker and Hagens found to be the grid 

system of our present age.  When the line arrays of each of 

these solids is overlaid on a sphere, a grid emerges which they 

contend is a pattern the ancient peoples used for becoming one 

with the earth.(2)



Briefly, factors to consider when calculating the harmonic 

implications between countries, cities, or villages include the 

following:



o  What is the great circle distance in miles between two points 

   on the grid system? 



o  What are the major apex points?



o  Is the assumption that Giza is the major point valid, or has 

   the energy changed since the building of the Great Pyramid?



o  Are significant places in history nodes of the grid system?



o  Are fault lines energy lines?



o  Are mountain ranges energy lines?



o  What is the difference between the fault lines and the 

   mountain range lines in terms of energy?



o  Could certain distances portend problem areas in terms of 

   harmonies?



The Becker-Hagens report mentioned the "Twelve Devils' 

Graveyards Around the World" (Saga Magazine, 1972) where 

magnetic and energy aberrations were located.  These are found 

zig-zaging the equator at 30 degrees above and 30 degrees below 

the equator.



Using an "Atlas" software computer program, Robert Foulkrod 

found the distance in miles to be 4264 miles between adjacent 

"Graveyards."  The corresponding musical frequency based on the 

speed of sound in air is 0.0000502 cps.  By octave expansion to 

the middle "C" octave (multiplying by 2 to the "n" number of 

times), this translates to a musical note of "A".  This 

particular distance or musical note might be an indication of 

disharmony between countries, if, indeed, distance is a factor.



The Becker-Hagens report sets the kite shaped grid dimensions as 

1400 miles (short end of the kite), 2200 miles (the outside kite 

length), and 2600 miles (the brace down the middle of the kite). 

The musical notes are "E flat", "A flat", and "F", respectively.

The latter note represents the distance between Gomel in the 

Soviet Union and Sebha in Libya.  Therefore the musical sound of 

"F" at 345 cps might be accentuated for harmony between these 

two countries.



The Becker-Hagens report mentioned the theory by Sinkiewitz who 

claimed that the present energy grid sytem is out of alignment 

with the ancient grid system, and that New Age Spiritual 

communities around the globe are rediscovering the new grid and 

building sacred sites to activate them.



The Aleutian Islands have been predicted to be the new North 

Pole.  See Figures 1, 2, 3, 4, & 5.  [not included here but if 

anyone is exceptionally interested, let me know and I will scan, 

UUENCODE and post them.]  What is the distance involved when a 

diamond of a 70 degree apex is overlaid on the new North PoIe, 

and the legs of the diamond terminate at the Equator?  This is 

the shape which some have found intuitively very emotionally 

responsive as if from a long forgotten past.



A "key note" of a country could be determined by means of a 

Lambdoma diagram (a Pythagorean model).  See Figure 6, 

References 3 through 8.  The apex of the Lambdoma diagram is 

divided equally as the diagonal down the center of the x and y 

axis.  The diagonal has a ratio of 1:1, so that whatever the 

distance is along the diagonal of the grid would be its "key 

note".  For example Gomel in the Becker-Hagens grid has seven 

rays radiating from the apex point, and the diagonal which 

represents the "key note" extends from Gomel to El Eglab, 2600 

miles, an "F" musically.  From Cairo to London is 2183 miles, 

a "G#".



Each of the rays of the grid would exhibit a unique energy, and 

much work has to be done to determine the quality of these 

differing energies.  See Figures 7 & 8. In the case of the earth 

the circumference of the earth should be taken into account as a 

reference distance and frequency, the circumference is 24,860 

miles.  This is equivalent to a "D" musically (in air).



In conclusion, if the earth is in transition in terms of 

developing into a new phase of grid lines, this factor might 

indicate a shift of energy or frequency at different places on 

the earth.  See Figure 9. The grid patterns would then take on 

different distances.  See Figure 10.  We might ask how can we as 

humans help the earth in this transitory phase?



First, recognizing that harmonies between cities or countries is 

based upon attunement to each other's energy patterns.  Most of 

all let us attune ourselves to the earth's energies, recognizing 

the oneness of all things in our material universe, and learning 

the importance of sound as a manifestation of different 

realities.



Any grid system has to have distance as one of the factors, 

since wavelength is inherent in all sound vibrations, as the 

inversion of frequency.  Even though we cannot hear the specific 

frequency of a grid line, the interval quality is present though 

inaudible.  So lets make them audible.



References



1) Becker-Hagens, Pursuit Science: Pursuit of the Unexplained, 

   Journal of SITU, The Society for the Investigation of the 

   Unexplained, Vol. 17, Number 2, Whole Number 66, Second 

   Quarer, 1984.



2) Jalandris, Earthfire.- Exploring the Energies of the 

   Ancients, Lincoln, Nebraska, 1981.



3) S. Levairie and E. Levy, Tone.- A Study in Musical Acoustics, 

   Kent State University Press, Kent, Ohio, 1968.



4) Kayser, Hans, Akroasis.- The Theory of World Harmonics, 

   translated by Robert Lilienfeld, Plowshare Press, Boston, 1964.



5) E. McClain, The Pythagorean Plato: Prelude to the Song 

   Itsetf, Nicolas Hays, Ltd., New York, 1978.



6) B. Hero, "Paintings Based on Relative Pitch in Music," 

   Leonardo, Vol. 8, pp. 13-19, Pergammon Press, England, 1975.



7) B. Hero, "Drawings Based on Laser Lissajous Figures and the 

   Lambdoma Diagram," Leonardo, Vol.  II pp. 301-303, 1978.



8) B.Hero, "The Mathematical Laws of Sound (Relationship of Sound 

   to Gravity)," Energy Unlimited #12, Los Lunas, NM

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